Back in 2018, when the work of studying the existing spreadsheets of the Philippine Registry of Cultural Property (PRECUP) was given to me and my colleague Carissa Veloso, I got quite excited because the task gave us a chance to have a glimpse of the heritage registry encompassing the whole country. It was a challenge to check and assess over 5,000 entries that led me to uncover the gaps and successes across the different regions.
The analysis gave me headaches and long nights of work, but it was worth the effort. The research was essentially a diagnostic report on the registry of cultural properties across the country. I discovered that even though there were a lot of entries, many regions were underrepresented and numerous listings were problematic, such as listings of corporate establishments as cultural property.
Although I am currently more focused on the mainstream architecture practice, the brief exposure from the heritage field helped me to become more conscious in raising awareness about our built, intangible, and natural heritage in both my designs and in dealing with my clients. I am thankful for ICOMOS Philippines for providing me this opportunity.
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